📅 2001-01-08
📍 New York City, 🇺🇸 USA
🎤 Artist: David Bowie
🗒️ Notes: Bowie celebrates his 54th birthday by formally notifying Virgin/EMI of his intent to leave the label. Frustrated by the shelving of ‘Toy’, he begins the legal process of reclaiming his creative independence.

📅 2001-01-15
📍 New York City, 🇺🇸 USA
🏛️ Looking Glass Studios
🎤 Artist: David Bowie
🗒️ Notes: Bowie begins informal demo sessions for new material. He intentionally moves away from the ‘Toy’ aesthetic, experimenting with a more atmospheric and somber sound that reflects his growing interest in 19th-century romanticism and pre-9/11 tension.

📅 2001-01-22
📍 New York City, 🇺🇸 USA
🏛️ Looking Glass Studios
🎤 Artist: David Bowie
🗒️ Notes: Following the birthday celebrations, Bowie records a series of stark, atmospheric piano demos. These sketches, including early motifs for ‘Slip Away’, represent a deliberate move away from the ‘Mod’ pop of the Toy sessions.

📅 2001-02-12
📍 New York City, 🇺🇸 USA
🏛️ Various Locations
🎤 Artist: David Bowie
🗒️ Notes: Bowie and Iman attend the amfAR Gala at Cipriani 42nd Street. This high-profile appearance serves as a statement of his continued presence in the New York elite, despite his temporary retreat from the recording industry.

📅 2001-03-05
📍 New York City, 🇺🇸 USA
🏛️ Looking Glass Studios
🎤 Artist: David Bowie
🗒️ Notes: The historic reunion with Tony Visconti begins. They spend the first week listening to Bowie’s 1960s rarities and discussing why the ‘Toy’ project failed to satisfy the label, eventually deciding to abandon nostalgia for a completely new, high-fidelity sound.

📅 2001-03-20
📍 New York City, 🇺🇸 USA
🏛️ Various Locations
🎤 Artist: David Bowie
🗒️ Notes: Official announcement of the ISO label. Bowie explains to his inner circle that ISO (Independent Service Organization) will be a ’boutique’ label, allowing him to release music on his own schedule without corporate pressure.

📅 2001-04-10
📍 New York City, 🇺🇸 USA
🏛️ Looking Glass Studios
🎤 Artist: David Bowie
🗒️ Notes: Pre-production for ‘Heathen’ moves into high gear. Bowie and Visconti record the definitive version of ‘Uncle Floyd’ (later renamed ‘Slip Away’). Bowie insists on using the original Stylophone he used in 1969 to create a haunting, nostalgic texture.

📅 2001-04-18
📍 New York City, 🇺🇸 USA
🏛️ Looking Glass Studios
🎤 Artist: David Bowie
🗒️ Notes: Recording of the track ‘Afraid’. Originally demoed in 2000, Visconti recognizes its potential as a bridge between the old and new styles, encouraging Bowie to re-record the vocals with more grit and urgency.

📅 2001-04-25
📍 New York City, 🇺🇸 USA
🏛️ Various Locations
🎤 Artist: David Bowie
🗒️ Notes: Bowie conducts a ‘sound audit’ of the Looking Glass sessions. He and Visconti decide that to achieve the grand, spiritual sound they envision, they must leave the city for a more isolated environment, leading to the selection of Allaire Studios.

📅 2001-05-01
📍 Shokan, 🇺🇸 USA
🏛️ Allaire Studios
🎤 Artist: David Bowie
🗒️ Notes: Bowie and Tony Visconti relocate to this mountaintop studio to escape the distractions of New York City. The isolation and the 1920s architecture of the estate deeply influence the spiritual and ‘haunted’ atmosphere of the new recordings.

📅 2001-05-15
📍 Shokan, 🇺🇸 USA
🏛️ Allaire Studios
🎤 Artist: David Bowie
🗒️ Notes: Recording of ‘5:15 The Angels Have Gone’. Bowie and Visconti focus on a ‘wall of sound’ technique, blending modern electronics with a vintage, analog warmth. Bowie’s vocals are recorded late at night to capture a more weary and soulful tone.

📅 2001-05-20
📍 Shokan, 🇺🇸 USA
🏛️ Allaire Studios
🎤 Artist: David Bowie
🗒️ Notes: During the Allaire sessions, Bowie and Tony Visconti experiment with a 19th-century Chamberlin keyboard. The haunting, organic loops of the instrument become a signature sound for the tracks ‘Slip Away’ and ‘5:15 The Angels Have Gone’.

📅 2001-06-10
📍 Shokan, 🇺🇸 USA
🏛️ Allaire Studios
🎤 Artist: David Bowie
🗒️ Notes: Work begins on the cover version of Neil Young’s ‘I’ve Been Waiting For You’. Bowie encourages David Torn to experiment with heavily textured, ambient guitar loops, creating a ‘disturbed’ sonic landscape that mirrors the album’s themes.

📅 2001-06-15
📍 Shokan, 🇺🇸 USA
🏛️ Allaire Studios
🎤 Artist: David Bowie
🗒️ Notes: Recording of the track ‘Sunday’. Bowie insists on a slow, building tension for the song’s intro. He and Visconti spend days layering subtle electronic pulses under a heavy, live drum sound to create a sense of ‘approaching dread’.

📅 2001-07-04
📍 Shokan, 🇺🇸 USA
🏛️ Allaire Studios
🎤 Artist: David Bowie
🗒️ Notes: Independence Day. Despite the holiday, sessions continue for ‘Slow Burn’. Bowie records a series of complex vocal harmonies, demonstrating his revitalized range and confidence in the studio.

📅 2001-07-10
📍 New York City, 🇺🇸 USA
🏛️ Looking Glass Studios
🎤 Artist: David Bowie
🗒️ Notes: Bowie records a guest vocal for the track ‘Hop Frog’ by Lou Reed. This session for Reed’s ‘The Raven’ album marks a brief but significant reunion of the two icons in the studio.

📅 2001-07-20
📍 London, 🇬🇧 UK
🏛️ Various Locations
🎤 Artist: David Bowie
🗒️ Notes: Bowie makes a low-key visit to London to oversee the final business arrangements for ISO in Europe. He also meets with potential guest musicians, including Pete Townshend, to discuss a contribution to the new album.

📅 2001-08-05
📍 New York City, 🇺🇸 USA
🏛️ Looking Glass Studios
🎤 Artist: David Bowie
🗒️ Notes: Pete Townshend records his lead guitar part for ‘Slow Burn’ via a digital link-up. Bowie is thrilled with the contribution, noting that Townshend’s style perfectly complements the ‘new-classic’ Bowie sound they are crafting.

📅 2001-08-15
📍 New York City, 🇺🇸 USA
🏛️ Looking Glass Studios
🎤 Artist: David Bowie
🗒️ Notes: Additional tracking sessions for ‘Cactus’ (a Pixies cover). Bowie and Tony Visconti experiment with a raw, more aggressive sound for this track to contrast the atmospheric ballads recorded at Allaire.

📅 2001-08-20
📍 New York City, 🇺🇸 USA
🏛️ Various Locations
🎤 Artist: David Bowie
🗒️ Notes: Bowie conducts a secret photo session with Gavin Evans. These stark, close-up portraits—showing a vulnerable and unmasked Bowie—are considered for the album artwork before the final ‘blind-eyed’ concept is chosen.

📅 2001-09-11
📍 New York City, 🇺🇸 USA
🗒️ Notes: Following the terrorist attacks on the World Trade Center, Bowie remains in his Manhattan home with his family. The somber and ‘haunted’ atmosphere of the ‘Heathen’ recordings, though mostly finished before this date, is later seen as strangely prophetic of the city’s mood.

📅 2001-09-20
📍 New York City, 🇺🇸 USA
🏛️ Various Locations
🎤 Artist: David Bowie
🗒️ Notes: In the immediate aftermath of 9/11, Bowie makes several unannounced visits to local firehouses in downtown Manhattan to offer personal support. These quiet, undocumented moments are later briefly mentioned by his inner circle as a sign of his deep connection to the city.

📅 2001-10-15
📍 New York City, 🇺🇸 USA
🏛️ SIR Studios
🎤 Artist: David Bowie
🗒️ Notes: Rehearsals for the upcoming benefit concert. Bowie decides to perform a stripped-back, vulnerable set. He chooses to open the show alone on the floor with a Suzuki Omnichord, a move that becomes one of the most iconic moments of his late career.

📅 2001-10-10
📍 New York City, 🇺🇸 USA
🏛️ Looking Glass Studios
🎤 Artist: David Bowie
🗒️ Notes: Bowie and Tony Visconti record a haunting cover of Neil Young’s ‘I’ve Been Waiting For You’ specifically for the ‘Heathen’ sessions. The track features aggressive guitar work from David Torn, adding to the album’s theme of spiritual displacement.

📅 2001-10-20
📍 New York City, 🇺🇸 USA
🏛️ Madison Square Garden – Concert for New York City
🎤 Artist: David Bowie
🗒️ Notes: Bowie opens the historic benefit concert for the 9/11 first responders. His choice to cover Paul Simon’s ‘America’ is hailed as a masterstroke of emotional resonance.
📜 Setlist: America (Paul Simon cover), ‘”Heroes”‘.

📅 1997-10-25
📍 New York City, 🇺🇸 USA
🏛️ Various Locations
🎤 Artist: David Bowie
🗒️ Notes: Bowie records a series of promotional ‘ID-spots’ for the global launch of ISO. He emphasizes that the label is not just for his own music, but a vehicle for his future collaborations and curated projects.

📅 2001-11-05
📍 New York City, 🇺🇸 USA
🏛️ Looking Glass Studios
🎤 Artist: David Bowie
🗒️ Notes: Final mixing sessions for ‘Heathen’ with Tony Visconti. Bowie adds the final vocal touch to ‘Sunday’. The lyrics, though written earlier, take on a new, devastating meaning in the post-9/11 landscape of New York.

📅 2001-11-15
📍 New York City, 🇺🇸 USA
🏛️ Looking Glass Studios
🎤 Artist: David Bowie
🗒️ Notes: Recording of the track ‘Wood Jackson’. This moody, atmospheric piece remains an outtake from the ‘Heathen’ sessions but showcases the high level of productivity Bowie achieved during his first year back with Tony Visconti.

📅 2001-11-20
📍 New York City, 🇺🇸 USA
🏛️ Various Locations
🎤 Artist: David Bowie
🗒️ Notes: Bowie oversees the final artwork for ‘Heathen’ with designer Jonathan Barnbrook. They settle on the ‘blind-eyed’ portrait, symbolizing a world that has lost its way and the theme of spiritual blindness.

📅 2001-12-05
📍 New York City, 🇺🇸 USA
🏛️ Various Locations
🎤 Artist: David Bowie
🗒️ Notes: Final photoshoot with Jonathan Barnbrook for the Heathen album packaging. Bowie chooses the ‘upside-down’ and ‘defaced’ book imagery to represent the destruction of traditional knowledge and faith, a central theme of the record.

📅 2001-12-10
📍 New York City, 🇺🇸 USA
🏛️ Sony Music Studios
🎤 Artist: David Bowie
🗒️ Notes: Recording of a guest appearance for the ‘A&E Breakfast with the Arts’ program. Bowie performs a solo version of ‘Thursday’s Child’ and discusses the upcoming launch of the ISO label.

📅 2001-12-31
🗒️ Notes: Bowie ends the year by finalizing the global distribution deal for ISO with Columbia Records. He has successfully regained his creative independence and prepared the world for his most acclaimed album in decades.