David Bowie 1989 – Tin Machine 1 Era
The Tin Machine Tour of David Bowie’s band Tin Machine commenced on 14 June 1989, following a performance of “Heaven’s in Here” at the International Music Awards in New York City on 31 May 1989. The tour comprised 12 performances in six countries (USA, Denmark, Germany, Netherlands, France, United Kingdom) in venues with a capacity of 2,000 or less. Joined onstage by Kevin Armstrong, Tin Machine performed the entirety of their Tin Machine album with the exception of “Video Crime,” augmented with cover version of songs from Bob Dylan and Johnny Kidd & The Pirates.
Tour performance details
The band played in “fashionable black suits” in front of stark lighting in what was described as a departure from Bowie’s previous tour. The 17 June show was added at the last minute when Bowie saw the long lines for tickets to 16 June’s performance; the show was at midnight (technically the night of 16 June) and tickets were sold at half-price. For 24 June’s performance in Amsterdam, video screens were erected outside the venue for those unable to obtain tickets. The video for Maggie’s Farm was recorded at the same venue. The 25 June performance at La Cigale, Paris was recorded with excerpts broadcast on Westwood One FM Radio. Four songs from the same performance were released as b-sides to the 1989 singles; “Tin Machine” and “Prisoner of Love.”
Tour reviews
The Los Angeles Times had a positive review of Tin Machine’s first show of the tour in New York City, saying “the band was full of life, raucous and brash, good-natured and smart.” Rolling Stone magazine described fans who had gone to see “the Thin White Duke crooning ‘Young Americans’” as receiving a rude awakening as Bowie offered “no oldies, no encores and no apologies.” Reactions to the US shows were mixed as fans and critics felt that the proximity to Bowie was often more exciting than the music the band was playing. Ultimately, Rolling Stone magazine stated that it was Bowie’s presence that “elevated the songs from the level of average grunge to that of theatrical avant-garage rock.” They later said it helped Bowie regain some of the credibility he’d lost during from his previous album and tour.
Tour band
- David Bowie – vocals, guitar
- Reeves Gabrels – guitar
- Tony Sales – bass guitar, vocals
- Hunt Sales – drums, vocals
- Kevin Armstrong – rhythm guitar (Blah Blah Blah, Tin Machine, Tin Machine II)
The Sound and the Fury: Studio Sessions – Jan/Feb 1989
🏛️ Compass Point Studios
🎸 Event: Recording: Mixing and Additional Tin Machine Sessions
🎤 Artist: David Bowie / Tin Machine
🗒️ Notes: Bowie and the band (Reeves Gabrels, Hunt Sales, and Tony Sales) continue refining the debut album. They focus on a raw, unpolished sound, demanding a “live-in-the-studio” feel that explicitly rejects the over-produced aesthetic of ‘Never Let Me Down‘.
🏛️ Compass Point Studios
🎸 Event: Recording: ‘Maggie’s Farm’ Stylistic Manifesto
🎤 Artist: David Bowie / Tin Machine
🗒️ Notes: The band records a frantic, distorted cover of Bob Dylan’s ‘Maggie’s Farm’. This track serves as a stylistic manifesto for the group, showcasing their aggressive, feedback-heavy approach and Bowie’s newfound vocal grit.
🏛️ Press & Label Offices
🎸 Event: Strategic: The “Band Member” Directive and PR Shift
🎤 Artist: David Bowie / Tin Machine
🗒️ Notes: Bowie issues strict instructions to his management and EMI PR teams. He insists on not being treated as a solo artist; in all upcoming press and marketing, he is to be presented solely as one of four equal members of Tin Machine.
🏛️ Mountain Studios / Private Residence
🎸 Event: Chronology: Month-End Review and Finalizing the Tracklist
🎤 Artist: David Bowie / Tin Machine
🗒️ Notes: By the end of February, the tracklist for the debut album is largely finalized. Tracks like ‘Under the God’ and ‘Heaven’s in Here’ are identified as the sonic core. Bowie feels revitalized by the collaborative process and the lack of solo pressure.
The World Awakens: Teasing Tin Machine – March/April 1989
🏛️ Photography Studio
🎸 Event: Visual: Official Band Portraits – Sukita Sessions
🎤 Artist: David Bowie / Tin Machine
🗒️ Notes: Long-time collaborator Masayoshi Sukita shoots the first official publicity photos of the band. Bowie insists on a group aesthetic—suits, beards, and a lack of ‘superstar’ lighting. These images are designed to shock fans expecting the polished ‘Glass Spider’ look.
🏛️ EMI Records HQ
🎸 Event: Strategic: Press Launch and “Under the God” Preview
🎤 Artist: David Bowie / Tin Machine
🗒️ Notes: Industry insiders and selected journalists are invited to hear the first single, ‘Under the God’. The lyrical content, tackling the rise of neo-Nazism, marks a return to provocative subject matter, distancing Bowie from his mid-80s mainstream pop era.
🏛️ Music Video Set
🎸 Event: Visual: Filming ‘Heaven’s In Here’ and ‘Under the God’
🎤 Artist: David Bowie / Tin Machine
🗒️ Notes: Directed by Julien Temple, the band films music videos that emphasize a raw, live performance style. The footage is shot in black and white and high-contrast color to match the abrasive, distorted texture of the music.
🏛️ BBC Broadcasting House
🎸 Event: Chronology: Radio Premiere of the Debut Single
🎤 Artist: David Bowie / Tin Machine
🗒️ Notes: ‘Under the God’ is premiered on UK radio. The reaction is polarized; critics are stunned by the heavy, avant-garde guitar work of Reeves Gabrels and Bowie’s aggressive vocal delivery. It serves as the first public confirmation that the 80s pop era is dead.
The Machine Unleashed: Album Release & TV Debut – May 1989
🏛️ Local Club (Unannounced)
🎸 Event: Live: Secret Warm-up and The First Live Test
🎤 Artist: David Bowie / Tin Machine
🗒️ Notes: While recording and mixing in the Bahamas, the band performs an unannounced 5-song set at a local club. Bowie, sporting a beard and playing rhythm guitar, is reportedly not recognized by much of the audience until he begins singing. This secret gig confirms the band’s non-theatrical live direction.
🏛️ Press Conference / Interviews
🎸 Event: Strategic: Official Media Launch and Introducing the Band
🎤 Artist: David Bowie / Tin Machine
🗒️ Notes: Bowie and the band conduct intensive press interviews. He consistently deflects personal questions, redirecting focus to the Sales brothers and Reeves Gabrels. He famously tells journalists: “I’m just the singer in this band,” emphasizing the democratic nature of the project.
🏛️ EMI Records
🎸 Event: Chronology: Global Release of ‘Tin Machine‘
🎤 Artist: David Bowie / Tin Machine
🗒️ Notes: The self-titled debut album is released, reaching No. 3 in the UK charts. The abrasive, unpolished sound and lack of radio-friendly hits polarize the fanbase, though critics later note its influence on the emerging alternative rock and grunge scenes.
🏛️ Rehearsal Studio
🎸 Event: Live: Tour Preparation and Band Rehearsals
🎤 Artist: David Bowie / Tin Machine
🗒️ Notes: Final rehearsals for the upcoming club tour. The band adds Kevin Armstrong on rhythm guitar and keyboards to thicken the live sound. The setlist is designed to be played at maximum volume to emphasize the group’s aggressive “power trio plus one” dynamic.
🏛️ The Armory / International Rock Awards
🎸 Event: Live: Television Debut at the International Rock Awards
🎤 Artist: David Bowie / Tin Machine
🗒️ Notes: Tin Machine performs ‘Heaven’s in Here’ live on television. It is the public’s first look at the band in action. The performance is raw and chaotic, featuring Hunt Sales‘ aggressive drumming and Reeves Gabrels‘ unorthodox, feedback-heavy guitar style.
Tin Machine Tour: The Club Circuit – June 1989
🏛️ Tour Rehearsals
🎸 Event: Live: Intensive Tour Rehearsals NYC
🎤 Artist: Tin Machine
🗒️ Notes: Following their TV debut, the band spends the first week of June in NYC refining the setlist. Kevin Armstrong’s role as the “fifth member” is solidified here, providing the necessary wall of sound to compete with Hunt Sales‘ notoriously loud drumming.
🏛️ The World
🎸 Event: Live: Tour Opening Night – The World
🎤 Artist: Tin Machine
📜 Set list: Sacrifice Yourself / Heaven’s in Here / Amazing / Working Class Hero / Tin Machine / Sorry / Prisoner of Love / Bus Stop (country version) / Bus Stop / I Can’t Read / You’ve Been Around / Baby Can Dance / Run / Crack City / Pretty Thing / Under The God
🗒️ Notes: The Tin Machine Tour officially begins at ‘The World’, a 2,000-capacity club. The set is composed entirely of new material and covers, with a strict ban on David Bowie solo hits.
🏛️ The Roxy Theatre
🎤 Artist: Tin Machine
📜 Set list: Sacrifice Yourself / Heaven’s in Here / Amazing / Working Class Hero / Tin Machine / Prisoner of Love / Sorry / Bus Stop / Bus Stop (country version) / Run / I Can’t Read / Baby Can Dance / Pretty Thing / Crack City / Under The God
🏛️ The Roxy Theatre
🎤 Artist: Tin Machine
📜 Set list: Sacrifice Yourself / Heaven’s in Here / Working Class Hero / Sorry / Bus Stop (country version) / Bus Stop / I Can’t Read / Run / Pretty Thing / Crack City / Baby Can Dance / Under The God
🏛️ Saga Rockteatre
🎤 Artist: Tin Machine
📜 Set list: Sacrifice Yourself / Heaven’s in Here / Amazing / Working Class Hero / Tin Machine / Prisoner of Love / Sorry / Bus Stop (country version) / Bus Stop / Run / I Can’t Read / Baby Can Dance / Pretty Thing / Crack City / Under The God
🏛️ The Docks
🎤 Artist: Tin Machine
📜 Set list: Amazing / Sacrifice Yourself / Heaven’s in Here / Working Class Hero / Tin Machine / Sorry / Bus Stop / Bus Stop (country version) / Run / Maggie’s Farm / Baby Can Dance / I Can’t Read / Pretty Thing / Crack City / Under The God
🏛️ Paradiso
🎤 Artist: Tin Machine
📜 Set list: Amazing / Sacrifice Yourself / Heaven’s in Here / Working Class Hero / Prisoner of Love / Tin Machine / Sorry / Bus Stop (country version) / Bus Stop / Run / Maggie’s Farm / I Can’t Read / Baby Can Dance / Pretty Thing / Crack City / Under The God
🏛️ La Cigale
🎤 Artist: Tin Machine
📜 Set list: Amazing / Heaven’s in Here / Sacrifice Yourself / Working Class Hero / Prisoner of Love / Tin Machine / Sorry / Bus Stop (country version) / Bus Stop / Run / Maggie’s Farm / I Can’t Read / Baby Can Dance / Pretty Thing / Crack City / Under The God
🏛️ The Town & Country Club
🎤 Artist: Tin Machine
📜 Set list: Amazing / Heaven’s in Here / Sacrifice Yourself / Working Class Hero / Prisoner of Love / Sorry / Bus Stop / Run / Maggie’s Farm / I Can’t Read / Baby Can Dance / Pretty Thing / Crack City / Under The God
🏛️ National Ballroom
🎤 Artist: Tin Machine
📜 Set list: Bus Stop (country version) / Bus Stop / Amazing / Working Class Hero / Sacrifice Yourself / Heaven’s in Here / Prisoner of Love / Sorry / Now / Run / Baby Can Dance / Tin Machine / Maggie’s Farm / I Can’t Read / Shakin’ All Over / Pretty Thing / Crack City / Under The God
Tin Machine Tour: The UK Finale – July 1989
🏛️ Newport Leisure Centre
🎤 Artist: Tin Machine
📜 Set list: Amazing / Heaven’s in Here / Sacrifice Yourself / Working Class Hero / Prisoner of Love / Sorry / Bus Stop (country version) / Bus Stop / Shakin’ All Over / Run / Baby Can Dance / I Can’t Read / Maggie’s Farm / Pretty Thing / Crack City / Under The God
🗒️ Notes: The band moves to Wales. The addition of ‘Shakin’ All Over’ (a cover of the Johnny Kidd & The Pirates classic) becomes a permanent fixture in the set, highlighting the band’s garage-rock roots and Bowie’s early musical influences.
🏛️ St. George’s Hall
🎤 Artist: Tin Machine
📜 Set list: Now / Amazing / Heaven’s in Here / Bus Stop (country version) / Bus Stop / Working Class Hero / Prisoner of Love / Sacrifice Yourself / Sorry / Run / I Can’t Read / Maggie’s Farm / Tin Machine / Baby Can Dance / Shakin’ All Over / Pretty Thing / Crack City / Under The God
🗒️ Notes: A rare appearance of the track ‘Now’ as an opener. This composition would later be significantly re-worked by Bowie into the title track ‘Outside‘ for the 1995 industrial-rock album of the same name.
🏛️ The Forum
🎤 Artist: Tin Machine
📜 Set list: Amazing / Heaven’s in Here / Working Class Hero / Shakin’ All Over / Sorry / Sacrifice Yourself / Bus Stop (country version) / Bus Stop / Run / I Can’t Read / Maggie’s Farm / Baby Can Dance / Tin Machine / Pretty Thing / Crack City / Under The God
🗒️ Notes: The final date of the 1989 club tour. Bowie and the band conclude this experimental run, having successfully played intimate venues and strictly avoided solo hits, effectively resetting his artistic career for the coming decade.
Strategic Silence & Artistic Reflection – Aug/Oct 1989
🏛️ Clos des Mésanges
🎸 Event: Chronology: Post-Tour Retreat and Painting
🎤 Artist: David Bowie
🗒️ Notes: Following the intense club tour, Bowie retreats to his home in Switzerland. He spends the month focusing on neo-expressionist painting. This period of isolation is crucial for his mental transition away from the “superstar” persona of the mid-80s.
🏛️ Rykodisc Meetings
🎸 Event: Archival: Curation of the ‘Sound+Vision’ Box Set
🎤 Artist: David Bowie
🗒️ Notes: Bowie becomes deeply involved in the selection process for the upcoming ‘Sound+Vision’ career retrospective. Working closely with Rykodisc to include rare tracks and demos, he views this as a definitive “cleaning of the house” before his next era.
🏛️ Press & Management Meetings
🎸 Event: Strategic: The Concept of the “Retirement” Tour
🎤 Artist: David Bowie
🗒️ Notes: During October, the strategy for the 1990 ‘Sound+Vision’ Tour is solidified. Bowie discusses the radical concept of performing his greatest hits one last time before “retiring” them, a move designed to grant him total artistic freedom for the 1990s.
🏛️ Private Location
🎸 Event: Strategic: Tin Machine II Early Concept Discussions
🎤 Artist: David Bowie / Tin Machine
🗒️ Notes: Bowie maintains contact with the Sales brothers and Reeves Gabrels to draft plans for a second Tin Machine album. Tensions with EMI grow as the label expresses doubt over the band’s commercial direction, leading to early talks about finding a new label.
Sydney Surprises & Career Retrospectives – November 1989
🏛️ Small Pub (Unannounced)
🎸 Event: Live: Surprise Tin Machine Performance
🎤 Artist: Tin Machine
🗒️ Notes: A legendary, unannounced Tin Machine appearance in a Sydney venue. Bowie, spending time in Australia to avoid the European press, joins the band for a raw, low-key set. This event reinforces his commitment to the “just a band member” ethos, even far from the global spotlight.
🏛️ Rykodisc / EMI Records
🎸 Event: Archival: Release of the ‘Sound+Vision’ Box Set
🎤 Artist: David Bowie
🗒️ Notes: The definitive career retrospective is released. This set is a masterclass in curation, featuring rare demos, live tracks, and outtakes. It wins the Grammy for Best Packaged Album and sparks a massive resurgence of interest in Bowie’s 1970s catalogue.
🏛️ Press & Media Outlets
🎸 Event: Strategic: Rumours of the “Greatest Hits” Tour
🎤 Artist: David Bowie
🗒️ Notes: Following the massive success of the box set, the British music press begins speculating about a 1990 world tour. Behind the scenes, Bowie finalizes the plan to “retire” his greatest hits, using the Sound+Vision release as the perfect commercial and artistic springboard.
Year-End Strategy & The Great Hits Retirement – December 1989
🏛️ Isolar Management Offices
🎸 Event: Strategic: Sound+Vision 1990 and Fan-Led Setlists
🎤 Artist: David Bowie
🗒️ Notes: Bowie meets with his management to finalize the “Retirement Tour” concept. He decides on a revolutionary marketing move: allowing fans to vote for the setlist via premium-rate telephone lines, ensuring massive global engagement for the upcoming world tour.
🏛️ Clos des Mésanges
🎸 Event: Strategic: The Tin Machine Hiatus Decision
🎤 Artist: David Bowie / Tin Machine
🗒️ Notes: Bowie informs the Sales brothers and Reeves Gabrels that Tin Machine will take a temporary break. While the band’s debut was artistically successful, Bowie realizes he needs one final, massive solo world tour to financially and artistically clear the path for his 1990s projects.
🏛️ Private Residence / Elizabeth Bay
🎸 Event: Chronology: Year-End Reflection and Farewell to the 80s
🎤 Artist: David Bowie
🗒️ Notes: Bowie celebrates New Year’s Eve in Sydney. He concludes the decade having successfully deconstructed his pop-idol image through the abrasive rock of Tin Machine. By tonight, the contracts for the 1990 ‘Sound+Vision’ world tour are finalized, marking the end of his era of commercial uncertainty.
I was at the concert in NYC at The World. It was hot. All of it from start to finish.