David Bowie Part 2: Aid & Screen (1985)
This Is Not America & Film Preparations β January 1985
π
1985-01-08
π New York City, πΊπΈ USA
ποΈ Private Residence
πΈ Event: 38th Birthday in Manhattan
ποΈ Note: David celebrates his 38th birthday privately in New York. This is a quiet period in which he mentally prepares for a year that will be entirely dedicated to film projects in London.
ποΈ Private Residence
πΈ Event: 38th Birthday in Manhattan
ποΈ Note: David celebrates his 38th birthday privately in New York. This is a quiet period in which he mentally prepares for a year that will be entirely dedicated to film projects in London.
π
1985-01-15
π New York City, πΊπΈ USA
ποΈ Isolar Office
πΈ Event: Labyrinth: Final Song Selection
ποΈ Note: David finalizes the selection of the five songs he will write for the ‘Labyrinth’ soundtrack. He is in close consultation with Jim Henson regarding the integration of the music into the pop-fantasy film.
ποΈ Isolar Office
πΈ Event: Labyrinth: Final Song Selection
ποΈ Note: David finalizes the selection of the five songs he will write for the ‘Labyrinth’ soundtrack. He is in close consultation with Jim Henson regarding the integration of the music into the pop-fantasy film.
π
1985-01-20
π New York City, πΊπΈ USA
ποΈ Recording Studio
πΈ Event: Recording: Absolute Beginners Demo
ποΈ Note: David works on the early demo version of the title track for ‘Absolute Beginners’. He strives for a grand, romantic arrangement intended to capture the atmosphere of London in the late 1950s.
ποΈ Recording Studio
πΈ Event: Recording: Absolute Beginners Demo
ποΈ Note: David works on the early demo version of the title track for ‘Absolute Beginners’. He strives for a grand, romantic arrangement intended to capture the atmosphere of London in the late 1950s.
π
1985-01-28
π Worldwide π
ποΈ EMI America / Virgin
πΈ Event: Single Release: ‘This Is Not America’
ποΈ Note: The collaboration with the Pat Metheny Group is released worldwide for the film ‘The Falcon and the Snowman’. The song is praised by critics for its atmospheric production and Bowie’s understated vocal style.
ποΈ EMI America / Virgin
πΈ Event: Single Release: ‘This Is Not America’
ποΈ Note: The collaboration with the Pat Metheny Group is released worldwide for the film ‘The Falcon and the Snowman’. The song is praised by critics for its atmospheric production and Bowie’s understated vocal style.
π
1985-01-31
π New York City, πΊπΈ USA
ποΈ Isolar Office
πΈ Event: Final London Relocation Logistics
ποΈ Note: David and his team put the final touches on the logistics for his long-term stay in London. The coming months will be completely dedicated to the filming of ‘Absolute Beginners’ and ‘Labyrinth’.
ποΈ Isolar Office
πΈ Event: Final London Relocation Logistics
ποΈ Note: David and his team put the final touches on the logistics for his long-term stay in London. The coming months will be completely dedicated to the filming of ‘Absolute Beginners’ and ‘Labyrinth’.
Filming Absolute Beginners & Grammy Victory β February 1985
π
1985-02-04
π London, π¬π§ UK
ποΈ Shepperton Studios
πΈ Event: Principal Photography: Absolute Beginners
ποΈ Note: David begins filming the musical ‘Absolute Beginners’. He plays the role of the slick advertising maven Vendice Partners and is closely involved in shaping the cynical nature of his character.
ποΈ Shepperton Studios
πΈ Event: Principal Photography: Absolute Beginners
ποΈ Note: David begins filming the musical ‘Absolute Beginners’. He plays the role of the slick advertising maven Vendice Partners and is closely involved in shaping the cynical nature of his character.
π
1985-02-11
π London, π¬π§ UK
ποΈ Shepperton Studios
πΈ Event: Choreography Rehearsals: ‘Thatβs Motivation’
ποΈ Note: David begins intensive dance rehearsals for his major musical number. The complex scene, involving him dancing on a giant typewriter, required significant physical preparation.
ποΈ Shepperton Studios
πΈ Event: Choreography Rehearsals: ‘Thatβs Motivation’
ποΈ Note: David begins intensive dance rehearsals for his major musical number. The complex scene, involving him dancing on a giant typewriter, required significant physical preparation.
π
1985-02-22
π London, π¬π§ UK
ποΈ Abbey Road Studios
πΈ Event: Recording: ‘Absolute Beginners’ Title Track
ποΈ Note: During a break from filming, David records the definitive version of the title track. With its rich saxophone parts and 50s aesthetic, the song is considered one of his strongest vocal performances of the 1980s.
ποΈ Abbey Road Studios
πΈ Event: Recording: ‘Absolute Beginners’ Title Track
ποΈ Note: During a break from filming, David records the definitive version of the title track. With its rich saxophone parts and 50s aesthetic, the song is considered one of his strongest vocal performances of the 1980s.
π
1985-02-26
π Los Angeles / London
ποΈ 27th Annual Grammy Awards
πΈ Event: Grammy Win: Best Video, Short Form
ποΈ Note: David wins his first Grammy Award for the short film ‘Jazzin’ for Blue Jean’. Although he is not present at the ceremony in LA, the award validates his artistic move into short-form cinema.
ποΈ 27th Annual Grammy Awards
πΈ Event: Grammy Win: Best Video, Short Form
ποΈ Note: David wins his first Grammy Award for the short film ‘Jazzin’ for Blue Jean’. Although he is not present at the ceremony in LA, the award validates his artistic move into short-form cinema.
π
1985-02-28
π London, π¬π§ UK
ποΈ Claridgeβs Hotel
πΈ Event: Chart Success: This Is Not America
ποΈ Note: The collaboration with Pat Metheny reaches the Top 15 in the UK charts. David is pleased that this more experimental track resonates with a wide audience while he is busy on the film set.
ποΈ Claridgeβs Hotel
πΈ Event: Chart Success: This Is Not America
ποΈ Note: The collaboration with Pat Metheny reaches the Top 15 in the UK charts. David is pleased that this more experimental track resonates with a wide audience while he is busy on the film set.
That’s Motivation & Studio Finalization β March 1985
π
1985-03-01
π London, UK π¬π§
ποΈ Shepperton Studios
πΈ Event: Filming: ‘That’s Motivation’
π€ Artist: David Bowie
ποΈ Notes: David begins filming his central musical number for ‘Absolute Beginners’. The spectacular scene, featuring him dancing on a giant typewriter and a globe, is a technical masterpiece that perfectly utilizes David’s background in mime and physical theater.
ποΈ Shepperton Studios
πΈ Event: Filming: ‘That’s Motivation’
π€ Artist: David Bowie
ποΈ Notes: David begins filming his central musical number for ‘Absolute Beginners’. The spectacular scene, featuring him dancing on a giant typewriter and a globe, is a technical masterpiece that perfectly utilizes David’s background in mime and physical theater.
π
1985-03-14
π London, UK π¬π§
ποΈ Abbey Road Studios
πΈ Event: Recording: ‘Volare’
π€ Artist: David Bowie
ποΈ Notes: David records an energetic version of the Italian classic ‘Volare’ for the ‘Absolute Beginners’ soundtrack. He personally selected this song to enhance the 1950s London atmosphere.
ποΈ Abbey Road Studios
πΈ Event: Recording: ‘Volare’
π€ Artist: David Bowie
ποΈ Notes: David records an energetic version of the Italian classic ‘Volare’ for the ‘Absolute Beginners’ soundtrack. He personally selected this song to enhance the 1950s London atmosphere.
π
1985-03-20
π London, UK π¬π§
ποΈ Abbey Road Studios
πΈ Event: Collaboration with Gil Evans
π€ Artist: David Bowie
ποΈ Notes: David works in the studio with legendary jazz arranger Gil Evans. They finalize the brass arrangements for the film score. This collaboration allowed David to work with one of his personal musical heroes.
ποΈ Abbey Road Studios
πΈ Event: Collaboration with Gil Evans
π€ Artist: David Bowie
ποΈ Notes: David works in the studio with legendary jazz arranger Gil Evans. They finalize the brass arrangements for the film score. This collaboration allowed David to work with one of his personal musical heroes.
Guest Appearance Tina Turner β March 1985
π
1985-03-23
π Birmingham, England π¬π§
ποΈ National Exhibition Centre (NEC)
πΈ Event: Private Dancer Tour (Guest Appearance)
π€ Artist: David Bowie & Tina Turner
ποΈ Notes: Unexpected guest appearance during Tina Turner’s show. Performance of “Tonight” and “Let’s Dance”. Recordings later released on the live video ‘Tina Live’.
ποΈ National Exhibition Centre (NEC)
πΈ Event: Private Dancer Tour (Guest Appearance)
π€ Artist: David Bowie & Tina Turner
ποΈ Notes: Unexpected guest appearance during Tina Turner’s show. Performance of “Tonight” and “Let’s Dance”. Recordings later released on the live video ‘Tina Live’.
π
1985-03-25
π London, UK π¬π§
ποΈ Shepperton Studios
πΈ Event: Wrap: Absolute Beginners Filming
π€ Artist: David Bowie
ποΈ Notes: David completes his scenes as the corrupt adman Vendice Partners. His professionalism and comedic timing on set were highly praised. David immediately transitions into pre-production for his next film project: ‘Labyrinth’.
ποΈ Shepperton Studios
πΈ Event: Wrap: Absolute Beginners Filming
π€ Artist: David Bowie
ποΈ Notes: David completes his scenes as the corrupt adman Vendice Partners. His professionalism and comedic timing on set were highly praised. David immediately transitions into pre-production for his next film project: ‘Labyrinth’.
π
1985-03-28
π London, UK π¬π§
ποΈ Westbury Hotel
πΈ Event: Labyrinth Concept Meeting
π€ Artist: David Bowie
ποΈ Notes: David meets Jim Henson and Brian Froud to discuss the visual direction of Jareth the Goblin King. They review the first puppets and sets for the filming at Elstree Studios, set to begin later this spring.
ποΈ Westbury Hotel
πΈ Event: Labyrinth Concept Meeting
π€ Artist: David Bowie
ποΈ Notes: David meets Jim Henson and Brian Froud to discuss the visual direction of Jareth the Goblin King. They review the first puppets and sets for the filming at Elstree Studios, set to begin later this spring.
Jareth emerges & Elstree Studios β April 1985
π
1985-04-01
π London, π¬π§ UK
ποΈ Elstree Studios
πΈ Event: Labyrinth: Principal Photography Begins
ποΈ Note: Filming for ‘Labyrinth’ officially begins under the direction of Jim Henson. David begins his transformation into Jareth the Goblin King. He was closely involved in the design of the iconic wig and the form-fitting costumes.
ποΈ Elstree Studios
πΈ Event: Labyrinth: Principal Photography Begins
ποΈ Note: Filming for ‘Labyrinth’ officially begins under the direction of Jim Henson. David begins his transformation into Jareth the Goblin King. He was closely involved in the design of the iconic wig and the form-fitting costumes.
π
1985-04-10
π London, π¬π§ UK
ποΈ Elstree Studios
πΈ Event: Filming: Crystal Ball Manipulation
ποΈ Note: David begins filming the scenes where Jareth juggles crystal balls. Professional juggler Michael Moschen is hidden behind David to perform the complex contact juggling movements.
ποΈ Elstree Studios
πΈ Event: Filming: Crystal Ball Manipulation
ποΈ Note: David begins filming the scenes where Jareth juggles crystal balls. Professional juggler Michael Moschen is hidden behind David to perform the complex contact juggling movements.
π
1985-04-15
π London, π¬π§ UK
ποΈ Various Locations
πΈ Event: Filming: ‘Loving The Alien’ Music Video
ποΈ Note: David films the surreal music video for his new single. Director David Mallet uses heavy religious symbolism and the iconic blue-painted face sequence. This is considered one of the most artistic videos from the ‘Tonight’ period.
ποΈ Various Locations
πΈ Event: Filming: ‘Loving The Alien’ Music Video
ποΈ Note: David films the surreal music video for his new single. Director David Mallet uses heavy religious symbolism and the iconic blue-painted face sequence. This is considered one of the most artistic videos from the ‘Tonight’ period.
π
1985-04-22
π London, π¬π§ UK
ποΈ Abbey Road Studios
πΈ Event: Soundtrack Session: ‘As The World Falls Down’
ποΈ Note: David records the definitive vocals for the dreamy ballad ‘As The World Falls Down’. He strives for an ethereal, romantic sound that fits the ballroom masquerade scene in the film.
ποΈ Abbey Road Studios
πΈ Event: Soundtrack Session: ‘As The World Falls Down’
ποΈ Note: David records the definitive vocals for the dreamy ballad ‘As The World Falls Down’. He strives for an ethereal, romantic sound that fits the ballroom masquerade scene in the film.
π
1985-04-29
π London, π¬π§ UK
ποΈ Elstree Studios
πΈ Event: Filming: The Throne Room
ποΈ Note: David films scenes in the throne room of the Goblin City, surrounded by dozens of puppeteers from the Jim Henson Company. He adapts his acting to the mechanical movements of the puppets with great precision.
ποΈ Elstree Studios
πΈ Event: Filming: The Throne Room
ποΈ Note: David films scenes in the throne room of the Goblin City, surrounded by dozens of puppeteers from the Jim Henson Company. He adapts his acting to the mechanical movements of the puppets with great precision.
Alien Controversy & The Live Aid Pledge β May 1985
π
1985-05-01
π Worldwide π
ποΈ EMI America
πΈ Event: Single Release: ‘Loving The Alien’
ποΈ Note: David’s most artistic single from the ‘Tonight’ album is officially released. He considered this track the intellectual heart of the record, exploring his fascination with religious history.
ποΈ EMI America
πΈ Event: Single Release: ‘Loving The Alien’
ποΈ Note: David’s most artistic single from the ‘Tonight’ album is officially released. He considered this track the intellectual heart of the record, exploring his fascination with religious history.
π
1985-05-05
π London, π¬π§ UK
ποΈ BBC / Television Outlets
πΈ Event: TV Premiere: ‘Loving The Alien’ Video
ποΈ Note: The music video directed by David Mallet premieres. The use of religious symbolism and David’s blue-painted face causes immediate discussion in the media, and it remains one of his most ambitious videos of the 1980s.
ποΈ BBC / Television Outlets
πΈ Event: TV Premiere: ‘Loving The Alien’ Video
ποΈ Note: The music video directed by David Mallet premieres. The use of religious symbolism and David’s blue-painted face causes immediate discussion in the media, and it remains one of his most ambitious videos of the 1980s.
π
1985-05-11
π London, π¬π§ UK
ποΈ Claridgeβs Hotel
πΈ Event: Meeting: Bob Geldof & Live Aid Pledge
ποΈ Note: David meets with Bob Geldof to discuss his participation in Live Aid. After seeing footage of the famine in Ethiopia, he immediately commits to the concert at Wembley Stadium, marking his return to the live stage after his tour stop in 1984.
ποΈ Claridgeβs Hotel
πΈ Event: Meeting: Bob Geldof & Live Aid Pledge
ποΈ Note: David meets with Bob Geldof to discuss his participation in Live Aid. After seeing footage of the famine in Ethiopia, he immediately commits to the concert at Wembley Stadium, marking his return to the live stage after his tour stop in 1984.
π
1985-05-20
π London, π¬π§ UK
ποΈ Elstree Studios
πΈ Event: Filming: The Escher Staircase
ποΈ Note: David films the visually complex climax of ‘Labyrinth’. He must navigate a set based on M.C. Escher’s ‘Relativity’ while singing the song ‘Within You’, requiring intensive stunt work with harnesses to create the illusion of shifted gravity.
ποΈ Elstree Studios
πΈ Event: Filming: The Escher Staircase
ποΈ Note: David films the visually complex climax of ‘Labyrinth’. He must navigate a set based on M.C. Escher’s ‘Relativity’ while singing the song ‘Within You’, requiring intensive stunt work with harnesses to create the illusion of shifted gravity.
π
1985-05-28
π London, π¬π§ UK
ποΈ Elstree Studios
πΈ Event: Filming: The Masked Ballroom
ποΈ Note: David films the dreamy masked ball scene with Jennifer Connelly. Accompanied by the ballad ‘As The World Falls Down’, he dances through the fairytale world created by Jim Henson, showcasing a romantic, almost classical look.
ποΈ Elstree Studios
πΈ Event: Filming: The Masked Ballroom
ποΈ Note: David films the dreamy masked ball scene with Jennifer Connelly. Accompanied by the ballad ‘As The World Falls Down’, he dances through the fairytale world created by Jim Henson, showcasing a romantic, almost classical look.
Dancing In The Street & Live Aid Prep β June 1985
π
1985-06-14
π London, π¬π§ UK
ποΈ Elstree Studios
πΈ Event: Labyrinth: Principal Photography Wrap
ποΈ Note: David completes his major scenes as Jareth the Goblin King. He says goodbye to Jim Henson and the puppeteers, marking the end of an intensive filming period, after which he immediately shifts his focus to the Live Aid project.
ποΈ Elstree Studios
πΈ Event: Labyrinth: Principal Photography Wrap
ποΈ Note: David completes his major scenes as Jareth the Goblin King. He says goodbye to Jim Henson and the puppeteers, marking the end of an intensive filming period, after which he immediately shifts his focus to the Live Aid project.
π
1985-06-23
π London, π¬π§ UK
ποΈ Abbey Road Studios
πΈ Event: Recording: ‘Dancing In The Street’
ποΈ Note: In a spontaneous session starting at 10:00 PM, David and Mick Jagger record their duet for Live Aid. The entire track was recorded in just four hours, driven by the raw energy between the two stars.
ποΈ Abbey Road Studios
πΈ Event: Recording: ‘Dancing In The Street’
ποΈ Note: In a spontaneous session starting at 10:00 PM, David and Mick Jagger record their duet for Live Aid. The entire track was recorded in just four hours, driven by the raw energy between the two stars.
π
1985-06-24
π London, π¬π§ UK
ποΈ Spitalfields Market / Docklands
πΈ Event: Filming: ‘Dancing In The Street’ Video
ποΈ Note: Immediately after the studio session, David and Mick drive to the London Docks. Under the direction of David Mallet, they film the iconic, energetic music video in the early morning hours, perfectly capturing the spontaneous and friendly atmosphere of the project.
ποΈ Spitalfields Market / Docklands
πΈ Event: Filming: ‘Dancing In The Street’ Video
ποΈ Note: Immediately after the studio session, David and Mick drive to the London Docks. Under the direction of David Mallet, they film the iconic, energetic music video in the early morning hours, perfectly capturing the spontaneous and friendly atmosphere of the project.
π
1985-06-27
π London, π¬π§ UK
ποΈ Private Rehearsal Space
πΈ Event: Live Aid: Band Assembly & First Rehearsal
ποΈ Note: David assembles his band for Live Aid, including Kevin Armstrong, Matthew Seligman, and Neil Conti. They begin the first rehearsals for the Wembley set, with David choosing a powerful, compact line-up to deliver the hits.
ποΈ Private Rehearsal Space
πΈ Event: Live Aid: Band Assembly & First Rehearsal
ποΈ Note: David assembles his band for Live Aid, including Kevin Armstrong, Matthew Seligman, and Neil Conti. They begin the first rehearsals for the Wembley set, with David choosing a powerful, compact line-up to deliver the hits.
π
1985-06-30
π London, π¬π§ UK
ποΈ Abbey Road Studios
πΈ Event: Mixing: Absolute Beginners (Final Cues)
ποΈ Note: David finalizes the last musical fragments for the ‘Absolute Beginners’ soundtrack. Despite the hectic schedule surrounding Live Aid, he remains closely involved in the post-production of Julien Templeβs film.
ποΈ Abbey Road Studios
πΈ Event: Mixing: Absolute Beginners (Final Cues)
ποΈ Note: David finalizes the last musical fragments for the ‘Absolute Beginners’ soundtrack. Despite the hectic schedule surrounding Live Aid, he remains closely involved in the post-production of Julien Templeβs film.
Live Aid & Global Jukebox β July 1985
π
1985-07-01
π London, π¬π§ UK
ποΈ Nomis Studios
πΈ Event: Intensive Live Aid Rehearsals
ποΈ Note: David begins the final week of rehearsals with his band. He is determined to deliver one of the most professional sets of the day, despite the limited 18-minute time slot.
ποΈ Nomis Studios
πΈ Event: Intensive Live Aid Rehearsals
ποΈ Note: David begins the final week of rehearsals with his band. He is determined to deliver one of the most professional sets of the day, despite the limited 18-minute time slot.
π
1985-07-13
π London, π¬π§ UK
ποΈ Wembley Stadium
πΈ Event: Live Aid Performance
ποΈ Note: At 7:22 PM, David takes the stage. He performs ‘TVC15’, ‘Rebel Rebel’, ‘Modern Love’, and a legendary version of ‘”Heroes”‘. This performance is regarded as an absolute highlight of the day.
ποΈ Wembley Stadium
πΈ Event: Live Aid Performance
ποΈ Note: At 7:22 PM, David takes the stage. He performs ‘TVC15’, ‘Rebel Rebel’, ‘Modern Love’, and a legendary version of ‘”Heroes”‘. This performance is regarded as an absolute highlight of the day.
π
1985-07-13
π London, π¬π§ UK
ποΈ Wembley Stadium
πΈ Event: The Selfless Choice: CBC Famine Footage
ποΈ Note: David makes the conscious decision to cut the planned song ‘Five Years’ from his set. This creates time to screen the shocking famine footage from Ethiopia, introduced by Bob Geldof, which leads to a massive surge in donations.
ποΈ Wembley Stadium
πΈ Event: The Selfless Choice: CBC Famine Footage
ποΈ Note: David makes the conscious decision to cut the planned song ‘Five Years’ from his set. This creates time to screen the shocking famine footage from Ethiopia, introduced by Bob Geldof, which leads to a massive surge in donations.
π
1985-07-13
π London, π¬π§ UK
ποΈ Wembley Stadium
πΈ Event: Global Premiere: ‘Dancing In The Street’
ποΈ Note: The music video for the duet with Mick Jagger is broadcast worldwide between sets in London and Philadelphia. The song immediately becomes the unofficial anthem of Live Aid.
ποΈ Wembley Stadium
πΈ Event: Global Premiere: ‘Dancing In The Street’
ποΈ Note: The music video for the duet with Mick Jagger is broadcast worldwide between sets in London and Philadelphia. The song immediately becomes the unofficial anthem of Live Aid.
π
1985-07-16
π Worldwide π
ποΈ EMI America / Virgin
πΈ Event: Single Release: ‘Dancing In The Street’
ποΈ Note: The benefit single is officially released. It immediately shoots to the number one position in charts across the UK and the US, marking David’s first UK number one hit since ‘Ashes To Ashes’.
ποΈ EMI America / Virgin
πΈ Event: Single Release: ‘Dancing In The Street’
ποΈ Note: The benefit single is officially released. It immediately shoots to the number one position in charts across the UK and the US, marking David’s first UK number one hit since ‘Ashes To Ashes’.
π
1985-07-25
π London, π¬π§ UK
ποΈ Abbey Road Studios
πΈ Event: Labyrinth Soundtrack: Final Vocal Sessions
ποΈ Note: Following the euphoria of Live Aid, David returns to the studio. He records the final vocals for ‘Underground’ and ‘Magic Dance’. His voice sounds particularly powerful during this period due to the recent stage experience.
ποΈ Abbey Road Studios
πΈ Event: Labyrinth Soundtrack: Final Vocal Sessions
ποΈ Note: Following the euphoria of Live Aid, David returns to the studio. He records the final vocals for ‘Underground’ and ‘Magic Dance’. His voice sounds particularly powerful during this period due to the recent stage experience.
Number 1 Worldwide & Absolute Beginners Starts β August 1985
π
1985-08-01
π London, π¬π§ UK
ποΈ EMI Records / Global Charts
πΈ Event: Global Chart Domination: ‘Dancing In The Street’
ποΈ Note: The duet with Mick Jagger reaches the number one position in the British charts and tops charts worldwide. It becomes one of the fastest-selling singles of the decade, with all proceeds going to the Band Aid Trust.
ποΈ EMI Records / Global Charts
πΈ Event: Global Chart Domination: ‘Dancing In The Street’
ποΈ Note: The duet with Mick Jagger reaches the number one position in the British charts and tops charts worldwide. It becomes one of the fastest-selling singles of the decade, with all proceeds going to the Band Aid Trust.
π
1985-08-12
π London, π¬π§ UK
ποΈ Shepperton Studios
πΈ Event: Principal Photography: ‘Absolute Beginners’
ποΈ Note: David begins filming for Julien Temple’s large-scale musical film. He plays the role of the slick, manipulative advertising maven Vendice Partners. David thoroughly enjoys this character, whom he describes as a ‘human shark’.
ποΈ Shepperton Studios
πΈ Event: Principal Photography: ‘Absolute Beginners’
ποΈ Note: David begins filming for Julien Temple’s large-scale musical film. He plays the role of the slick, manipulative advertising maven Vendice Partners. David thoroughly enjoys this character, whom he describes as a ‘human shark’.
π
1985-08-18
π London, π¬π§ UK
ποΈ Abbey Road Studios
πΈ Event: Recording: ‘Absolute Beginners’ Title Track
ποΈ Note: David puts the finishing touches on the definitive version of the film’s title track. With its rich 50s aesthetic and baritone vocals, the song is immediately considered a classic in his repertoire.
ποΈ Abbey Road Studios
πΈ Event: Recording: ‘Absolute Beginners’ Title Track
ποΈ Note: David puts the finishing touches on the definitive version of the film’s title track. With its rich 50s aesthetic and baritone vocals, the song is immediately considered a classic in his repertoire.
π
1985-08-27
π London, π¬π§ UK
ποΈ Elstree Studios
πΈ Event: Labyrinth: Dubbing & ADR Sessions
ποΈ Note: Between film shoots, David returns to Elstree for the initial ADR (dubbing) sessions for ‘Labyrinth’. He works on the voice of Jareth the Goblin King to find the perfect balance between menace and seduction.
ποΈ Elstree Studios
πΈ Event: Labyrinth: Dubbing & ADR Sessions
ποΈ Note: Between film shoots, David returns to Elstree for the initial ADR (dubbing) sessions for ‘Labyrinth’. He works on the voice of Jareth the Goblin King to find the perfect balance between menace and seduction.
π
1985-08-30
π London, π¬π§ UK
ποΈ Abbey Road Studios
πΈ Event: Mixing: ‘That’s Motivation’
ποΈ Note: David oversees the mixing of his spectacular musical number for the ‘Absolute Beginners’ soundtrack. The production, led by Clive Langer and Alan Winstanley, perfectly captures the theatrical energy of the film set.
ποΈ Abbey Road Studios
πΈ Event: Mixing: ‘That’s Motivation’
ποΈ Note: David oversees the mixing of his spectacular musical number for the ‘Absolute Beginners’ soundtrack. The production, led by Clive Langer and Alan Winstanley, perfectly captures the theatrical energy of the film set.
Labyrinth Filming & Global Chart Success β September 1985
π
1985-09-02
π London, π¬π§ UK
ποΈ UK Single Charts
πΈ Event: Chart Success: ‘Dancing In The Street’ hits No. 1
ποΈ Note: The duet with Mick Jagger reaches the top spot on the British charts. This is David’s first number one hit since ‘Let’s Dance’ (1983), with all proceeds continuing to benefit Live Aid.
ποΈ UK Single Charts
πΈ Event: Chart Success: ‘Dancing In The Street’ hits No. 1
ποΈ Note: The duet with Mick Jagger reaches the top spot on the British charts. This is David’s first number one hit since ‘Let’s Dance’ (1983), with all proceeds continuing to benefit Live Aid.
π
1985-09-09
π Borehamwood, π¬π§ UK
ποΈ Elstree Studios
πΈ Event: Principal Photography: Labyrinth (Weeks 1-4)
ποΈ Note: David spent the entire month on set for his role as Jareth the Goblin King. This period focuses heavily on the interaction with the Jim Henson Creature Shop puppets.
ποΈ Elstree Studios
πΈ Event: Principal Photography: Labyrinth (Weeks 1-4)
ποΈ Note: David spent the entire month on set for his role as Jareth the Goblin King. This period focuses heavily on the interaction with the Jim Henson Creature Shop puppets.
π
1985-09-13
π New York City, πΊπΈ USA
ποΈ Radio City Music Hall / MTV VMAs
πΈ Event: MTV Video Music Awards: ‘Blue Jean’ Win
ποΈ Note: At the second annual MTV VMAs, ‘Blue Jean’ wins the award for Best Overall Performance. David is not present in New York due to his strict filming commitments for Labyrinth in the UK.
ποΈ Radio City Music Hall / MTV VMAs
πΈ Event: MTV Video Music Awards: ‘Blue Jean’ Win
ποΈ Note: At the second annual MTV VMAs, ‘Blue Jean’ wins the award for Best Overall Performance. David is not present in New York due to his strict filming commitments for Labyrinth in the UK.
π
1985-09-16
π New York City, πΊπΈ USA
ποΈ US Billboard Charts
πΈ Event: US Release: ‘Dancing In The Street’ Billboard Entry
ποΈ Note: The single is officially released in the US. The accompanying video, filmed in a single take after Live Aid rehearsals, was essential for the song’s rapid rise into the American top 10.
ποΈ US Billboard Charts
πΈ Event: US Release: ‘Dancing In The Street’ Billboard Entry
ποΈ Note: The single is officially released in the US. The accompanying video, filmed in a single take after Live Aid rehearsals, was essential for the song’s rapid rise into the American top 10.
π
1985-09-20
π London, π¬π§ UK
ποΈ Elstree Studios / Mobile Recording Unit
πΈ Event: Songwriting: Labyrinth Soundtrack Development
ποΈ Note: In the evenings after filming, David works on early versions of ‘Underground’ and ‘As The World Falls Down’, seeking a balance between pop sensibility and film score requirements.
ποΈ Elstree Studios / Mobile Recording Unit
πΈ Event: Songwriting: Labyrinth Soundtrack Development
ποΈ Note: In the evenings after filming, David works on early versions of ‘Underground’ and ‘As The World Falls Down’, seeking a balance between pop sensibility and film score requirements.
π
1985-09-24
π London, π¬π§ UK
ποΈ Music Press Announcement
πΈ Event: Press Release: ‘When The Wind Blows’ Project
ποΈ Note: The British music press announces that David will provide the title song for the animated film about a nuclear attack. David was deeply moved by the script written by Raymond Briggs.
ποΈ Music Press Announcement
πΈ Event: Press Release: ‘When The Wind Blows’ Project
ποΈ Note: The British music press announces that David will provide the title song for the animated film about a nuclear attack. David was deeply moved by the script written by Raymond Briggs.
π
1985-09-30
π London, π¬π§ UK
ποΈ Elstree Studios
πΈ Event: Month-End Review: Jareth Production Wrap
ποΈ Note: David concludes September by completing his major scenes with Jennifer Connelly. He remained largely secluded this month to maintain his focus on his cinematic role.
ποΈ Elstree Studios
πΈ Event: Month-End Review: Jareth Production Wrap
ποΈ Note: David concludes September by completing his major scenes with Jennifer Connelly. He remained largely secluded this month to maintain his focus on his cinematic role.
Swiss Sanctuary & Songwriting Demos β October 1985
π
1985-10-01
π Gstaad, π¨π Switzerland
ποΈ Clos des MΓ©sanges
πΈ Event: Return to Swiss Seclusion
ποΈ Note: Following the intense filming schedule for ‘Labyrinth’, David retreats to his home in Switzerland. This period of isolation was essential for him to begin writing new material after the global impact of Live Aid.
ποΈ Clos des MΓ©sanges
πΈ Event: Return to Swiss Seclusion
ποΈ Note: Following the intense filming schedule for ‘Labyrinth’, David retreats to his home in Switzerland. This period of isolation was essential for him to begin writing new material after the global impact of Live Aid.
π
1985-10-14
π Gstaad, π¨π Switzerland
ποΈ Home Studio
πΈ Event: Collaboration: Planning ‘Blah-Blah-Blah’ with Iggy Pop
ποΈ Note: David begins outlining plans to produce Iggy Pop’s next studio album. This marked the start of the creative sessions that would eventually lead to Iggy’s most commercially successful era.
ποΈ Home Studio
πΈ Event: Collaboration: Planning ‘Blah-Blah-Blah’ with Iggy Pop
ποΈ Note: David begins outlining plans to produce Iggy Pop’s next studio album. This marked the start of the creative sessions that would eventually lead to Iggy’s most commercially successful era.
π
1985-10-21
π London / Gstaad
ποΈ EMI Records
πΈ Event: Video Release: ‘Dancing In The Street’ EP
ποΈ Note: A special video single is released to meet the immense public demand for the Live Aid collaboration. The footage of David and Mick Jagger became a defining visual of the 1985 charity efforts.
ποΈ EMI Records
πΈ Event: Video Release: ‘Dancing In The Street’ EP
ποΈ Note: A special video single is released to meet the immense public demand for the Live Aid collaboration. The footage of David and Mick Jagger became a defining visual of the 1985 charity efforts.
π
1985-10-28
π London, π¬π§ UK
ποΈ Abbey Road Studios (Post-Production)
πΈ Event: Finalizing ‘Labyrinth’ Soundtrack Mixes
ποΈ Note: While David remains in Switzerland, final mixes for ‘Underground’ and ‘As The World Falls Down’ are prepared for the 1986 film release. David stayed closely involved in the audio finishing via telephone and courier.
ποΈ Abbey Road Studios (Post-Production)
πΈ Event: Finalizing ‘Labyrinth’ Soundtrack Mixes
ποΈ Note: While David remains in Switzerland, final mixes for ‘Underground’ and ‘As The World Falls Down’ are prepared for the 1986 film release. David stayed closely involved in the audio finishing via telephone and courier.
π
1985-10-31
π Gstaad, π¨π Switzerland
ποΈ Clos des MΓ©sanges
πΈ Event: Month-End Review: Songwriting Transition
ποΈ Note: David concludes October with a collection of demos that will form the foundation of his 1986 projects. This month marked a clear transition from the ‘Cinema Year’ back to pure music production.
ποΈ Clos des MΓ©sanges
πΈ Event: Month-End Review: Songwriting Transition
ποΈ Note: David concludes October with a collection of demos that will form the foundation of his 1986 projects. This month marked a clear transition from the ‘Cinema Year’ back to pure music production.
Iggy Collaborations & Nuclear Themes β November 1985
π
1985-11-01
π Gstaad, π¨π Switzerland
ποΈ Clos des MΓ©sanges
πΈ Event: Songwriting: ‘Blah-Blah-Blah’ sessions with Iggy Pop
ποΈ Note: David and Iggy Pop spend the first half of the month at David’s Swiss home writing material for Iggy’s upcoming album. Tracks like ‘Shades’ and ‘Isolation’ were conceived during these intimate sessions, aimed at revitalizing Iggy’s commercial career.
ποΈ Clos des MΓ©sanges
πΈ Event: Songwriting: ‘Blah-Blah-Blah’ sessions with Iggy Pop
ποΈ Note: David and Iggy Pop spend the first half of the month at David’s Swiss home writing material for Iggy’s upcoming album. Tracks like ‘Shades’ and ‘Isolation’ were conceived during these intimate sessions, aimed at revitalizing Iggy’s commercial career.
π
1985-11-15
π London, π¬π§ UK
ποΈ Abbey Road Studios
πΈ Event: Recording: ‘When The Wind Blows’
ποΈ Note: David records the title track for the animated film adaptation of Raymond Briggs’ nuclear fable. The session featured the ‘Kizmet’ production team and resulted in one of David’s most underrated mid-80s vocal performances.
ποΈ Abbey Road Studios
πΈ Event: Recording: ‘When The Wind Blows’
ποΈ Note: David records the title track for the animated film adaptation of Raymond Briggs’ nuclear fable. The session featured the ‘Kizmet’ production team and resulted in one of David’s most underrated mid-80s vocal performances.
ποΈ Note: David was deeply moved by the film’s anti-nuclear message, which influenced the somber tone of the recording.
π
1985-11-20
π London, π¬π§ UK
ποΈ West End
πΈ Event: Absolute Beginners: Soundtrack Mastering
ποΈ Note: Final mastering sessions take place for the ‘Absolute Beginners’ soundtrack. David attended to ensure the sound quality of his title track was perfect for its early 1986 release.
ποΈ West End
πΈ Event: Absolute Beginners: Soundtrack Mastering
ποΈ Note: Final mastering sessions take place for the ‘Absolute Beginners’ soundtrack. David attended to ensure the sound quality of his title track was perfect for its early 1986 release.
π
1985-11-30
π Gstaad, π¨π Switzerland
ποΈ Home Studio
πΈ Event: Month-End Review: Collaborative Success
ποΈ Note: David concludes November having balanced his own soundtrack work with the creative rebirth of Iggy Pop. This period of behind-the-scenes work was a precursor to the 1986 studio sessions for ‘Never Let Me Down’.
ποΈ Home Studio
πΈ Event: Month-End Review: Collaborative Success
ποΈ Note: David concludes November having balanced his own soundtrack work with the creative rebirth of Iggy Pop. This period of behind-the-scenes work was a precursor to the 1986 studio sessions for ‘Never Let Me Down’.
Montreux Sessions & Collaborative Peaks β December 1985
π
1985-12-01
π Montreux, Switzerland π¨π
ποΈ Mountain Studios
πΈ Event: Studio: ‘Blah-Blah-Blah’ Recording Sessions
π€ Artist: David Bowie & Iggy Pop
ποΈ Notes: Production moves from Gstaad to Mountain Studios for formal tracking. Bowie acting as producer and co-writer, aims to provide Iggy Pop with a polished, contemporary sound suitable for the mid-1980s market.
ποΈ Mountain Studios
πΈ Event: Studio: ‘Blah-Blah-Blah’ Recording Sessions
π€ Artist: David Bowie & Iggy Pop
ποΈ Notes: Production moves from Gstaad to Mountain Studios for formal tracking. Bowie acting as producer and co-writer, aims to provide Iggy Pop with a polished, contemporary sound suitable for the mid-1980s market.
π
1985-12-10
π Montreux, Switzerland π¨π
ποΈ Mountain Studios
πΈ Event: Studio: Erdal Kizilcay Integration
π€ Artist: David Bowie
ποΈ Notes: Multi-instrumentalist Erdal Kizilcay becomes a central figure in the recording process. His technical proficiency allows Bowie to experiment with intricate synthesizer arrangements and digital textures for the Iggy Pop sessions.
ποΈ Mountain Studios
πΈ Event: Studio: Erdal Kizilcay Integration
π€ Artist: David Bowie
ποΈ Notes: Multi-instrumentalist Erdal Kizilcay becomes a central figure in the recording process. His technical proficiency allows Bowie to experiment with intricate synthesizer arrangements and digital textures for the Iggy Pop sessions.
π
1985-12-18
π London / Montreux, UK/Switzerland π¬π§
ποΈ EMI / Virgin Records
πΈ Event: Creative: ‘Absolute Beginners’ Promotional Strategy
π€ Artist: David Bowie
ποΈ Notes: Bowie reviews the marketing rollout for the upcoming single and film. The launch is timed for early 1986 to leverage the high public profile Bowie maintained throughout the post-Live Aid period.
ποΈ EMI / Virgin Records
πΈ Event: Creative: ‘Absolute Beginners’ Promotional Strategy
π€ Artist: David Bowie
ποΈ Notes: Bowie reviews the marketing rollout for the upcoming single and film. The launch is timed for early 1986 to leverage the high public profile Bowie maintained throughout the post-Live Aid period.
π
1985-12-24
π Gstaad, Switzerland π¨π
ποΈ Clos des MΓ©sanges
πΈ Event: Chronology: Holiday Break in Gstaad
π€ Artist: David Bowie
ποΈ Notes: Studio work is paused for a private holiday period. Despite the hiatus, Bowie remains focused on the forthcoming ‘Cinema Year’, having balanced significant film roles and studio production during 1985.
ποΈ Clos des MΓ©sanges
πΈ Event: Chronology: Holiday Break in Gstaad
π€ Artist: David Bowie
ποΈ Notes: Studio work is paused for a private holiday period. Despite the hiatus, Bowie remains focused on the forthcoming ‘Cinema Year’, having balanced significant film roles and studio production during 1985.
π
1985-12-31
π Gstaad, Switzerland π¨π
ποΈ Clos des MΓ©sanges
πΈ Event: Chronology: 1985 Year-End Review
π€ Artist: David Bowie
ποΈ Notes: Bowie concludes a year marked by the humanitarian success of ‘Dancing In The Street’ and a return to major screen acting. The groundwork for his 1986 releases, including ‘Labyrinth’ and ‘Absolute Beginners’, is firmly established.
ποΈ Clos des MΓ©sanges
πΈ Event: Chronology: 1985 Year-End Review
π€ Artist: David Bowie
ποΈ Notes: Bowie concludes a year marked by the humanitarian success of ‘Dancing In The Street’ and a return to major screen acting. The groundwork for his 1986 releases, including ‘Labyrinth’ and ‘Absolute Beginners’, is firmly established.