David Bowie 1995-10-13 Dallas ,Starplex Amphitheater – SQ 8

David Bowie 1995-10-13 Dallas ,Starplex Amphitheater - SQ 8

David Bowie 1995-10-13 Dallas ,Starplex Amphitheater .
Sound Quality Rating

David bowie & Nine Inch Nails set
101. Fade In.flac
101. Scary Monsters (And Super Sreeps).flac
102. Reptile.flac
103. Hallo Spaceboy.flac
104. Hurt .flac

David Bowie set
105. Look Back In Anger.flac
106. Heart’s Filthy Lesson.flac
107. The Voyeur Of Utter Destruction-as beauty-.flac
108. I Have Not Been To Oxford Town.flac
109. fade out.flac
202. Outside.flac
203. Andy Warhol.flac
204. Breaking Glass.flac
205. The Man Who Sold The World.flac
206. We Prick You.flac
207. I’m Deranged.flac
208. Joe The Lion.flac
209. Nite Flight – Introductions.flac
210. Under Pressure.flac
211. Teenage Wildlife.flac

Label : No label
Audio Source : Audience recording
Lineage : Unknown
Taping Gear mic. : ECM 959A
Taping Gear recorder : Sony TCD7
Taper: V4TX
Recording Location: Unknown
Total running time : 1:32:32
Sound Quality : Noise ,dull ,but still good listened to
Attendance : 15.000
Artwork : None

Not a bad recording of what looks like an uncirculated show.
There are a multitude of reasons why this show was never transferred over 20 years ago. For one, in the pre addicted to internet days, I was unaware how the band transision was to be handled so I missed Subterraneans. My friend and I tried to watch NIN, but my seats were really close to the stacks and we could not handle the volume, and frankly their music did nothing for us.
While sitting around the concession stands I suddenly hear a familiar melody, and I turn to my friend and say, “We have to get to our seats now.” I frantically work to get my gear going. There are sound fluctuations, volume fluctuations, digital artifacts as the old D7 needed some work and had yet to receive it. While the instrumentation is clear, David’s vocals could be more up front.
The 959A was/is a great microphone, it just wasn’t built for stealth recording. I’m not sure how I had it situated, but less than a month later I was using the “taped sticking out of a modified shirt pocket”, at a Dylan show, so I’m sure some variation of that was used.
I do remember moving even closer than I was initially late in the show. The other memory I have of the show was that about 75% of the audience left after they realized NIN was finished. How many of those people now tell their friends they saw Bowie?
This was David’s last show in Dallas, hence the title. I guess after a decade of Dallas stops that resulted in a false rape/AIDS charge, playing to 500 people with Tin Machine, and seeing the majority of your audience flee like rats off a sinking ship, he said the hell with us. Can’t blame him. This transfer includes every sound recorded that night.
Tracks done on the fly so they are not perfect.

 
 
 
David Bowie Tour band 1995-1996 – Outside Tour
The Outside Tour was a tour by English rock musician David Bowie, opening on 14 September 1995 at Meadows Music Theatre – Hartford, Connecticut. Support during the US leg of the tour was provided by Nine Inch Nails, who segued their set with Bowie’s to form a continuous show. Prick opened the first date of the tour. Morrissey was the support act for the European leg, but withdrew from the tour after nine dates. On selected dates Reeves Gabrels performed songs from his album, The Sacred Squall of Now in addition to performing with Nine Inch Nails and David Bowie. The opening of the concert tour preceded the release of the 1. Outside album which was released on 25 September 1995.

David Bowie – vocals
Reeves Gabrels – guitar
Carlos Alomar – guitar, backing vocals
Gail Ann Dorsey – bass guitar, vocals
Zack Alford – drums
Mike Garson – piano
Peter Schwartz – synthesizer, musical director
George Simms – backing vocals, keyboards
 
 
 

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