David Bowie 1978-06-21 Glasgow ,Apollo Theatre – Glasgow 3 –
Sound Quality Rating
103. What In The World.flac
104. Be My Wife.flac
105. The Jean Genie.flac
107. Sense Of Doubt.flac
108. Speed Of Life.flac
109. Breaking Glass.flac
111. Beauty And The Beast.flac
201. Band introductions.flac
202. Five Years.flac
203. Soul Love.flac
205. Hang On To Yourself.flac
206. Ziggy Stardust.flac
207. Suffragette City.flac
208. Art Decade.flac
209. Alabama Song.flac
210. Station To Station.flac
211. Rebel Rebel.flac
Label : From The Hunky Geordie Tapes – HUG125CD
Audio Source : audience
Lineage : TDK SA60 tapes x 2 (Noggin) > Denon DRM-500 tape deck
Total running time : 1:46:46
Sound Quality : Much noise ,dull ,but still good listened to
Attendance : 3.181
Artwork : By steve23yh
After Beauty And The Beast ,David spoke his first words
David Bowie played Glasgow’s Apollo in June 1978.
The music venue was under threat of closing to make way for a bingo hall.
Fidelma Cook caught up with the Ziggy Stardust singer backstage where he talked about Scottish music fans, the Apollo as a venue and taking his show on the road.
Tour band 1978 – The Low and Heroes World Tour :
David Bowie – vocals, chamberlain
Adrian Belew – lead guitar, backing vocals
Carlos Alomar – rhythm guitar, backing vocals (music director)
George Murray – bass guitar, backing vocals
Dennis Davis – drums, percussion
Roger Powell – keyboards, synthesizer ,Moog Taurus bass pedals ,backing vocals (except 11–14 November 1978)
Dennis Garcia – keyboards, synthesizer (11–14 November 1978 only)
Sean Mayes – piano, string ensemble, backing vocals Simon House – electric violin
Simon House – electric violin.
iZotope RX2 denoised for hiss reduction.
Tape join between The Jean Genie and Blackout – seamless
Volume reprofiled Blackout (too loud).
Tape join between Five Years and Soul Love – seamless
Tape join between Alabama Song and Station To Station – seamless
Volume reprofiled on tape side 4 (Station To Station onwards) – slightly too quiet
Stay fades out on source tape
Note difference in order of encores compared to other versions of this concert.