David Bowie 1973-05-12 London ,Earl's Court - Breaking Out At Court - SQ 6,5

David Bowie 1973-05-12 London ,Earl’s Court – Breaking Out At Court –
Sound Quality Rating

The “Riot” disc
101 Ode To Joy.flac
102 Space Oddity.flac
103 Riot.flac
104 The Jean Genie.flac
105 Time.flac
106 The Width Of A Circle.flac
107 Let’s Spend The Night Together.flac
108 Drive In Saturday.flac
109 Quicksand.flac
110 Life On Mars.flac
111 Memory Of A Free Festival.flac
112 Panic In Detroit.flac
113 Suffragette City.flac

The Concert disc
201. Ziggy Stardust.flac
202. Watch That Man.flac
203. Wild Eyed Boy From Freecloud.flac
204. All The Young Dudes.flac
205. Oh You Pretty Things.flac
206. The Prettiest Star.flac
207. Cracked Actor.flac
208. Moonage Daydream.flac
209. Changes.flac
210. Space Oddity.flac
211. The Jean Genie.flac
212. Time.flac
213. The Width Of A Circle.flac
214. Let’s Spend The Night Together.flac
215. Drive In Saturday.flac
216. Aladdin Sane.flac
217. Quicksand.flac
218. Life On Mars.flac
219. Memory Of A Free Festival.flac
220. Panic In Detroit.flac

Label: From The Hunky Geordie tapes – HUG184CD
Audio Source: audience
Total running time: 2:19:44
Sound Quality : Not good ,much Noise ,very dull
Attendance: 18.000
Artwork: steve23yh.

This tape has a great historical value:
this was the beginning of a long tour through the UK and it was a downright disaster. Since it was a ground level stage most people were unable to see Bowie and the Spiders come on.
While Bowie was playing people were getting up from their seats and pressing forward, trying to secure a spot with a better view.
This resulted in quite a stampede,with people being trampled under foot and fights breaking out. From the galleries one had a slightly better view,but the sound was rotten too: only nearby could the music be heard; at the back and on the galleries it was not much more than a vague rumbling.
All this upset Bowie,and after a couple of numbers he left the stage in upper confusior Someone of the road crew came and tried to calm down the audience.

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“This is something from the. Space Oddity album,it’s called Wild Eyed Boy From Freealcoud Bowie says,and links it to All the Young Dudes and Oh! You Pretty Things, turning them into a medley. Bowie’s repertory contained yet another medley composed of three numbers,ending with Memory of a Free Festival, which may account for a moment of confusion during the trans­ition from all the Young Dudes to Oh! You Pretty Things when starts singing “We scanned the sky with rainbow eyes … “,but he soon corrects himself. “We have another number from Aladdin Sane and … and this is called The Prettiest Star .
After Space Oddity there is a short interruption of the tape; then it continues with a speech from someone of the road crew who had mounted the stage to try and calm down the audience and make them return to their seats, for at that moment the hall was a regular pandemonium: people had been rushing towards the stage,some of them falling and getting hurt; others were naked,jumping up and down on their seats; yet others were crying,yelling “Ziggy,Ziggy!”,etc. There is quite a bit of that speech on the tape:
“Move back and relieve these people here or they’ll get crushed. Now move back. Eve­rybody here has paid money to see the show, and every­ body here is gonna see the show tonight!” he calls out , followed by rumbling and yelling. “Please go back up the aisle,you must move back. I insist that everybody can see,but if everybody stands in the aisle, then nobody can see,so if you move back,that that’s it, that’s it ,move back, just go right back,just work your way back to your seats . So just move back up here on the side. Come on,let’s move, don’t stand there stare at me,it’s not worth it. If you wake up,you’ll gonna be alright”.
Bowie and the Spiders return to the stage to have another try. They play Jean Genie and it would seem that order has been restored,for there are no more interruptions, After Aladdin Sane which by the way was left out during the rest of the tour, comes the second medley which Bowie had concocted of the some­ what abbreviated versions of three numbers,Quicksand,Life on Mars and Memory of a Free Festival,melted together. When at the end of Memory of a Free Festival Bowie sings “Sun machine is coming down and we’re gonna have a party”,the audience join in and sing along with him en masse. Bowie,who appreciates this of course , says “This is very good indeed!”. True, the audience kept close for the rest of the show,but still most of them could see nothing and hear as good as nothing!
It surely is odd that for such a big concert the sound could turn out to be so poor. I suppose it was because this was Bowie’s first appearance in a hall of this size,and the sound equipment had not been adequately adapted to the occasion. Moreover,this was Earl’s Court’s first performance as a con­cert hall. Luckily this tape was made in a part of the hall where the sound was alright, for it is as good as any other tape of this tour.
“Thank you,we love you,thanks” Bowie calls out after Suffragetty City,then leaves the stage. The audience are elated; Bowie lets them have their way and returns. He introduces the Spiders (Ronson is given a real big hand!) and sets in Rock & Roll Suicide,with the audience singing and clapping along to a man. This is the end of the concert,and a tape recording Land of Hope & Glory is played.
For that night a second concert had originally been planned, but it was cancelled: the disastrous events at this concert called for a thorough evaluation.

Colin Richardson (2002)
The eight-week tour of the UK begins at this massive stadium attended by 18,000 fans. This is to be the first use of this venue for a rock concert and the biggest ever in-door rock audience in the UK at the time. Unfortunately the show is marred by poor sound, poor stage visibility (it was very low) and adverse fan behaviour (some drunken members of the audience danced naked and urinated in the aisles and there were outbreaks of violence causing Bowie to ask for calm at one stage). A second show at this venue scheduled for 30 June 1973 is cancelled as a result. Apart from Earls Court, the tour is an enormous success playing 37 towns and cities in 45 days and being sold out in each. Altogether 150,000 fans would attend these concerts.

“The second time I saw Bowie (not forgetting the Spiders) was at Earls Court at start of the 1973 tour…Most memorable moment?…having a seat about 3 miles away from the stage and after crawling over, under and through what seemed like a hundred rows of seats, ending up slap-bang centre of the stage, watching David trying hard to keep his knee length boots up (white mini kimono outfit) and finally giving up with the gold lipstick that was nearly sticking his lips together (he wiped it off on his sleeve!) and him spotting me surrounded by screaming girls, he pointed at me and smiled the most heart warming smile I’ve ever had smiled at me.” – Colin Richardson (2002)

The LIFE ON MARS? promotional video is shot backstage at Earls Court on this date.

Disc 1 (The “Riot” disc)
Disc 2 (The Concert)

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All sorts of noise removed using iZotope RX2 denoiser tool.
Bass boosted using Goldwave Equalizer (boost bass preset)
Running very slowly. Speed correction with factor of 105%.

Apparent stop/starts from end of Ode To Joy up to David saying “Hello” on source tape and left alone.
Gaps at 14 seconds and 1:47 during the riot, and noise of fiddling with tape machine at 36 seconds and 1:13 removed with fades.
More tape fiddling at 1:19 and another gap at 1:49 during the riot simply removed.
Note that fix times on the riot refer to pre-speed correction timings.

Two gaps in The Width Of A Circle at 10:06 and 10:07 removed with fades.
Tape flip between Drive In Saturday and Quicksand – fade-out/in.
Rough stop/start between Memory Of A Free Festival and Panic In Detroit. Fade-out/in to tidy.
SBEs fixed using TLH.

Disc 2 (The Concert)


iZotope RX2 denoiser to address hiss.
Running too fast. Speed correction with a factor of 94%.

Gap between Space Oddity and The Jean Genie (where the “riot” was apparently removed). Removed with fades.
Tape flip between The Jean Genie and Time – seamless.
Does get a little hissier from Time onwards – can get a sample to access this.
Three gaps in Memory Of A Free Festival: 3:10 – simply removed, clean; two @ 4:25, removed with minimal impact.
Panic In Detroit runs out on source tape.
SBEs fixed using TLH.

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