Roger Powell
Roger Powell is an American keyboardist, synthesizer specialist and composer who collaborated with David Bowie during the early 1990s, most notably on the Tin Machine II project.
Known for his technical expertise and experimental approach to electronic sound, Powell contributed to Bowie’s continued exploration of texture, density and modern production techniques.
- Born: United States
- Role: Keyboardist, synthesizer programmer
- Active with Bowie: 1991
- Bowie connection: Tin Machine II collaboration
Background and musical profile
Roger Powell developed a reputation as a technically sophisticated keyboardist, capable of integrating synthesizers, digital processing and experimental textures into rock-based contexts.
His work frequently bridged the gap between progressive rock, electronic music and modern studio production.
Tin Machine II (1991)
Powell collaborated with David Bowie during the recording of Tin Machine II, contributing keyboards and synthesizer programming to the album’s dense, aggressive sound.
The project reflected Bowie’s desire to push against commercial expectations and reassert creative risk.
Electronic texture and structure
Powell’s role focused on sonic architecture rather than traditional keyboard virtuosity.
His contributions supported the album’s layered production, reinforcing atmosphere and tension rather than melodic prominence.
Context within Bowie’s career
The Tin Machine period represented a transitional phase for Bowie, moving away from 1980s pop structures toward rawer, more confrontational music.
Collaborators like Powell enabled Bowie to engage with contemporary production techniques without sacrificing artistic intent.
Limited but focused collaboration
While Powell’s work with Bowie was not long-term, it was precise and purposeful, tied directly to a specific creative moment.
His involvement illustrates Bowie’s habit of drawing in specialists to address particular artistic needs.