David Bowie 1996-01-27 Brussel ,Voorst Nationaal – Brussels 1996 Dat Master –
Sound Quality Rating
02. The Motel.flac
03. Look Back In Anger.flac
04. The Heart’s Filthy Lesson.flac
05. White Light White Heat.flac
06. Scary Monsters.flac
07. The Voyeur of Utter Destruction (As Beauty).flac
08. I Have Not Been to Oxford Town.flac
10. Andy Warhol.flac
11. The Man Who Sold the World.flac
12. A Small Plot of Land.flac
13. Strangers When We Meet.flac
14. Diamond Dogs.flac
15. Hallo Spaceboy.flac
16. Breaking Glass.flac
17. We Prick You.flac
18. Nite Flights.flac
19. Band Introductions.flac
20. Teenage Wildlife.flac
21. Under Pressure.flac
22. Encore Call.flac
23. Moonage Daydream.flac
Label : Uxbridge – 1032
Audio Source : Soundboard recording
Lineage : Dat master
Taping Gear : Unknown
Recording Location: Unknown
Total running time : 1:45:01
Sound Quality : very good. Equals record or radio apart from a slight noise and some dullness.
Attendance : 8.000
Artwork : Yes
This is a panoramic view of “OUTSIDE TOUR”. The tour will start around the album release, but paused in February 1996. So far, it was a large group of eight people, but here three people, including allies Carlos Allomer, withdrew. It has been reopened from the Japan tour in June to form a five-man formation. The Brussels performance of this work was the concert which is the 7th performance of “Europe # 1” which is just before that.
The record of this show has not been known for a long time, but a master has recently come to defeat that situation. That is this work. Moreover, the quality is excellent again. It is awakened from the original DAT master, and it is super clear anyway. I understand that the audience recording also absorbed the enthusiasm of the site when I listened in the headphones, but the enthusiasm is far from melancholy, and the loud playing sound and singing voice come to the front in front of me. Moreover, the air feel is crystal clear. I do not hide any details, even though the halls are not totally absent. Even though it is a large group of eight people, it separates beautifully, and it is as beautiful as an FM sound board.
In fact, this clear is only for this work. The excavated DAT master itself has also been acclaimed by the core collectors of the world with amazing sound and “A” and “9/10” and so on, but this work is brushed up with even more careful mastering ing. Organize the bones and thick sounds and wipe out the elements that you can feel when you listen to one. The beauty of the sound and the natural feel were kept, but I pulled out the sharpness of the edge that the original sound had.
The show drawn with such a superb sound is also great. Speaking of the first half of “OUTSIDE TOUR”, we have introduced soundboard sound sources such as the rehearsal album “SLINKY SECRETS (Wardour-230)” and “DUBLIN 1995 (Uxbridge 934)”, but they are all from 1995 . This work is “Europe # 1” which went one step from there, and a set also changes. Of course, the axis is the new song group of “1. OUTSIDE”, but there are revivals of classics such as “White Light / White Heat” and “Diamond Dogs”. Both are set from “Europe # 1”, but “Diamond Dogs” is particularly delicious. It is the first resurgence in 20 years since “ISOLAR: 1976 TOUR”, and the delights of the unforeseen audiences can be felt (while far away) well.
David Bowie Tour band 1995-1996 – Outside Tour
The Outside Tour was a tour by English rock musician David Bowie, opening on 14 September 1995 at Meadows Music Theatre – Hartford, Connecticut. Support during the US leg of the tour was provided by Nine Inch Nails, who segued their set with Bowie’s to form a continuous show. Prick opened the first date of the tour. Morrissey was the support act for the European leg, but withdrew from the tour after nine dates. On selected dates Reeves Gabrels performed songs from his album, The Sacred Squall of Now in addition to performing with Nine Inch Nails and David Bowie. The opening of the concert tour preceded the release of the 1. Outside album which was released on 25 September 1995.
• David Bowie – vocals
• Reeves Gabrels – guitar
• Carlos Alomar – guitar, backing vocals
• Gail Ann Dorsey – bass guitar, vocals
• Zack Alford – drums
• Mike Garson – piano
• Peter Schwartz – synthesizer, musical director
• George Simms – backing vocals, keyboards