David Bowie TOY ,unreleased album
01 Uncle Floyd
03 Baby Loves That Way
04 Dig Everything
05 Conversation Piece
06 Let Me Sleep Beside You
07 Toy (Your Turn To Drive)
08 Hole In The Ground
09 Shadow Man
10 In The Heat Of The Morning
11 You’ve Got A Habit Of Leaving
12 Silly Boy Blue
13 Liza Jane
14 The London Boys
David Bowie went into the studio to start work on a new album. Towards the end of the sessions, he decided that some of the work would survive onto his next album, which would become Heathen. The rest, new interpretations of his past lesser-known songs, and a handful of new tracks, became known as ‘lost album’ Toy, and were mysteriously shelved.
Bowie himself claimed his record label EMI/Virgin had ‘too much on the back burner’ – presumably, in 2001, too much not to overlook one of the greatest albums of Bowie’s career. It was leaked in its entirety in 2011: the great man himself may not approve of his unreleased work being reviewed, but what’s to be done.
Post The Next Day – more an aggressively, ambitiously positive record – listening to Toy, twelve years on from the making, we have a collection which is warm, sublimely written, with touches of genius and genuine joy. Taken together, it sits as the mature, reflective elder brother of 1971′s Hunky Dory. ‘Conversation Piece’, an gobsmacking outtake from the sessions from that album, is heartbreakingly resplendent here, Bowie understatedly emoting in perfectly restrained poise.
‘Hole In The Ground’ and ‘Baby Loves That Way’ are both absolutely terrific, prime-era Bowie songwriting, hippified here, anthemic there, gloriously cracked everywhere – Bowie tracks, that like the very best of his work, are addictive, compulsive, you want to hear again and again. It’s a serious shame that EMI didn’t see fit to have these heard as singles by a wider audience at the time.
If there’s one niggle about the whole thing, it’s Bowie’s band – which has admittedly been criticised, whoever the personnel, since Tin Machine. Whoever’s fault it is, Bowie’s, producers, or ‘record executives’ (and despite bassist/backing vocalist Gail Ann Dorsey‘s lovely voice) they are once again struggling to find the passion or spontaneity to support such inspired songwriting. Vauxhall Corsa musicianship. It’s quite infuriating, but also telling that all the songs win through against such odds. Why the man doesn’t get Jean Michel Jarre in on keyboards and the guy from Lightning Bolt on drums beggars me.
The Next Day was a dormant Bowie lashing out in a contemporary howl, ghost-stepping into the world early in 2013. Toy, from magical 60s postcards such as ‘In The Heat Of The Morning’ and ‘Silly Boy Blue’, is a ghost in its own right, living up fully to its legend, lingering with the listener as one of Bowie’s most heartfelt, human, warm and joyous creations – of any decade.
Studio recordings 2000-2001
Excellent Stereo but lossy (no lossless version circulate)
The “Toy” album, featuring a lot of songs from Bowie’s early career, re-recorded in 2000-2001 (in addition to newly written songs)
was scraped for release in the last moment. Apparently, Bowie wasn’t satisfied with it. He later wrote new material and went to
the studio again and came out with “Heathen”. Meanwhile “Heathen” is superiour to “Toy” in my opinion, “Toy” is still a real fine
album. Over half of is even *very* fine, I’d say, especially Uncle Floyd (alternate version of Slip Away), Toy, I Dig Everything
and You’ve Got A Habit Of Leaving. The last 4 tracks on the disc doesn’t do much for me, though.
Somehow, a lossy version of this unreleased album started circulating via the internet. No lossless version exists.
Meanwhile this material is well-known in the ROIO circles, I haven’t seen any rips of this Godfather release torrented anywhere,
so I thought I’d share my silver. The quality is just as excellent as always for this stuff.