David Bowie 1990-07-12 Philadelphia ,The Spectrum Arena - Walk Out Of Her Mind - SQ 7

David Bowie 1990-07-12 Philadelphia ,The Spectrum Arena – Walk Out Of Her Mind –
Sound Quality Rating

101. Ode To Joy.flac
102. Space Oddity.flac
103. Rebel Rebel.flac
104. Queen Bitch.flac
105. White Light White Heat.flac
106. The Jean Genie.flac
107. Gloria.flac
108. Changes.flac
109. Ashes To Ashes.flac
110. Life On Mars.flac
111. Band introductions.flac
112. Pretty Pink Rose.flac
113. Stay.flac
114. Blue Jean.flac
115. Let’s Dance.flac
201. Sound + Vision.flac
202. Ziggy Stardust.flac
203. China Girl.flac
204. Station To Station.flac
205. Young Americans.flac
206. Suffragette City.flac
207. Fame ’90.flac
208. “Heroes”.flac
209. Fashion.flac
210. Panic In Detroit.flac
211. Modern Love.flac

Label : No label > From The Hunky Geordie Tapes – HUG186CD
Audio Source : Audience recording
Lineage : Maxell XLII C90 x 1½ (Arcorman)
Taping Gear : Unknown
Taper: Unknown
Recording Location: Unknown
Total running time : 1:54:32
Sound Quality : Much noise ,dull ,but still good listened to
Attendance : Unknown
Artwork : By Steve23yh

 david-bowie-walk-out-of-her-mindHUG186CD-frontos david-bowie-walk-out-of-her-mind-HUG186CD-frontis david-bowie-walk-out-of-her-mind-HUG186CD-backos

David Bowie Tour band 1990 – Sound+Vision Tour
Bowie specifically chose a smaller band for the tour, saying in a contemporary interview that “It’s a much smaller sound. It’s not quite as orchestrated as any of the other tours. The plus of that is that there is a certain kind of drive and tightness that you get with that embryonic line-up, where everybody is totally reliant on the other two or three guys, so everybody gives a lot more”
David Bowie – vocals, guitar, saxophone[
Adrian Belew – guitar, backing vocals, music director
Erdal Kızılçay – bass guitar, backing vocals
Rick Fox – keyboards, backing vocals
Michael Hodges – drums

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Notes
iZotope RX2 denoiser to remove hiss.
Tape flip between Stay and Blue Jean – crowd noise join, clean.
Tape flip between Suffragette City and Fame ’90 – Fame begins with distortion, faded-in to compensate.
Final side of tape (Fame ’90 onwards) is poorer sound, somewhat muffled.
Gap between Fame and “Heroes”, followed by mucky noise (like an air con machine) removed with fades.
Gap in crowd noise between Heroes and Fashion – removed cleanly.
Sector Boundary Errors removed with TLH.

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